Concrete Poetry: A 21st-Century Anthology Spiral-Bound |

Nancy Perloff (Edited by)

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Now in paperback, a significant new collection of concrete poetry that redefines what this unique literary movement means today.
 
Concrete Poetry: A 21st-Century Anthology is the first overview of concrete poetry in many years. Selective yet wide-ranging, this anthology re-evaluates the movement, singling out its most distinctive and influential works. Nancy Perloff, the curator of an important Concrete Poetry exhibition at the Getty Research Institute, includes examples from the little-known Japanese concretists and the Wiener Gruppe—groups that, together with the Brazilian poet Augusto de Campos and the Scottish poet Ian Hamilton Finlay, have engaged with the most subtle possibilities of language itself—while also incorporating key poems by Eugen Gomringer, Dieter Roth, Henri Chopin, and others and including contemporary contributions by Cia Rinne and Susan Howe.
 
Perloff’s anthology presents individual poems, reproduced in their original languages, together with lively commentaries that explicate and contextualize the work, allowing readers to discover the intricacy of poems that some have dismissed as simple, even trivial, texts. This substantial new collection redefines what the concrete poetry movement means today.
Publisher: University of Chicago Press
Original Binding: Hardcover
Pages: 224 pages
ISBN-10: 1789143683
Item Weight: 1.86 lbs
Dimensions: 6.3 x 1.1 x 9.3 inches
"What is undoubtedly valuable about the book is the way that it carefully arranges, in a beautifully printed hardback, a selection of concrete poetry’s keystones. The first half of Perloff’s selection triangulates Brazil, Austria and Scotland through the work of three key figures: Augusto de Campos, Gerhard Rühm, and Ian Hamilton Finlay. For the anglophone reader, she glosses the foreign words involved, prising apart the heavy punning that sparked the concrete imagination."
-Jeremy Noel-Tod / Times Literary Supplement
Nancy Perloff is the curator of Modern & Contemporary Collections at the Getty Research Institute (GRI), Los Angeles. She is the author or editor of many books, including Explodity: Sound, Image, and Word in Russian Futurist Book Art.